In his arguments against iconoclasm, the Damascene made clear that it the veneration of icons, and the use of sacred images in architecture and worship was not idolatry, but rather a recognition that God uses the physical to make known the intelligible. Just as God the Son took to himself a human form, in order to make the truth of the Father known to man in a way most proper to him, so also does iconography serve to raise the mind to spiritual realities by means of the physical. Far from being a peripheral concern, therefore, sacred images are part and parcel of the authentic Christian worldview; their use and function within the life of the Church is bound up with the mystery of the Incarnation, in which the invisible Word of God became visible, and the incomprehensible Logos of the Father took to Himself a human nature.
